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Monday, December 6, 2010
Jackie - Kannada Movie - Puneet Super star
Sunday, December 5, 2010
Aptharakshaka - Vishnuvardhan kannada movie online
Saturday, November 20, 2010
Manasaare - Kannada movie 2010
Manasaare kannada movie
Saturday, November 13, 2010
Thamassu - Hatrick hero movie 2010
Thamassu/Tamassu kannada movie
Sunday, November 7, 2010
Rajani - Upendra kannada movie online
Rajani - Upendra kannada movie online
Labels:
2010,
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Rajani,
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Saturday, November 6, 2010
Kami Swamy - Mimicry Dayanand
Kami Swamy - Mimicry Dayanand
The prestigious audio house Anand Audio and Video is coming out with a DVD on the raging controversy of Swami Nityanand sex scandal and a few other interesting political developments in Karnataka off late.
The DVD ‘Kami-Swami’ a comic tale stars the doyen of theatre Master Hirannaiah who is known for many attacking plays, mimicry artist Dayanand, Venkatadri, Prakash and Sagar hitting the market very soon. This is shot in three days and it is at the post production stage. “Not only Nityananda episode we have taken every current political issue. We have worked on the script for four weeks”, says the top mimicry artist Dayanand.
Dayanand has taken the leadership in directing this video DVD that will be out in a short while now says Anand Audio proprietor Mohan.
Thursday, November 4, 2010
Pancharangi - Superhit Kannada movie 2010
Pancharangi Super hit kannada movie
Cast
Diganth...............Bharath Kumar
Nidhi Subbaiah........Ambika
Ananth Nag............A Wanderer
Priyanka Upendra - Guest Appearance
Ramya Barna...............Latha
Padmaja Rao...............Padma
Sudha Belavadi............Vaishali
Nagendra Shah.............Narayan Rao
Sundar Raj................Srinivas Rao
Raju Talikote.............Panchakshari
Pawan Kumar...............Lakshman "Lucky" Rao
Mithra....................Keshavananda Swamiji
Saturday, August 14, 2010
School Master - 2009 Kannada - Vishnuvardhan movie online
Time is a dressmaker specializing in alteration! This film ‘School Master’ release timing is just after 20 plus days of death of the magnificent actor of Kannada cinema Dr Vishnuvaradhan is haunting as unknowingly some of the scenes and dialogues are like bidding good bye to the world. For the dead child his callings ‘don’t call it as body’ and ‘this is my last coffee’ audience relates it to the real life of the actor. Even the lyrics in the songs are closely connected to the demise of Dr Vishnuvaradhan. ‘Badige Mane Baalu’ line in the song – life is on a rented house is so real too!
The packaging of ‘School Master’ is well measured for the both the mass and class. The thoughts of director Dinesh Baboo are unique as for as the education system is concerned and the introduction of ancient martial art ‘Kalari Payattu’ for the first time in Kannada cinema is a welcome break and is well utilized by the director.
Master Jagannath (Dr Vishnuvaradhan) is a school teacher who has mastery over many things that are high in human values. He is the darling of his students because he does not give home work and declare marks to draw a line of demarcation among the students. Master Jagannath is married to Sneha (Suhasini Mani Ratnam) who is working in a child care home. The couple has a girl child Megnana. The close relative of this family is the Home Minister (Avinash). The Home Minister’s daughter Adithi and Meghana are class mates. They travel in the same car to school. The dreaded terrorist Appu (Mukesh Rishi) who is in the captivity of police operate from his cell and that leads to a kidnap. By mistake the kidnappers take Meghana instead of Home Minister daughter Adithi. There is a huge disturbance in the family of Master Jagannath. The kidnappers ask for release of Appu in exchange of the child Meghana. The Home Minister’s efforts to release Appu to secure Meghana go in vain. The prestige of the political party becomes more important and as the deadline lapses kidnappers kills the child Megnana. It is a tensed up situation for Master Jagannath. He does not reveal the death of his child to his wife and take utmost care to cover up the death news of his daughter. Sneha is still under the impression her daughter is in the captivity but the audience and other characters in the film know the truth. Sneha goes sick and needs medical attention. Admitting his wife to the hospital Master Jagannath takes a drastic step with the help of his expertise in Kalari Payattu. In a series od sctions he kills six persons and the upright cop Prathap (Devaraj) who is watching all these developmentsstays away from the doings of the Master. Even after Master is jailed three years he does not reveal the death of his daughter to his wife.
Emotional King Dr Vishnuvaradhan touches every heart. The agile looks and controlled performance surely leaves every audience to say he should not have died so early in his life. The interaction Dr Vishnu maintains with the children is tremendous. His message in the end to the student’s fraternity not to take the step what he has followed is right advice.
Suhasini Mani Ratnam once again comes close to the heart. The immense love she express to her child the affection she showers to other children, the way in which she sits in the 3rd standard class room and takes the notes on behalf of her child are some touching scenes in the film.
Devaraj as a cop draws very good attention for his style and attitudes. Avinash is as usual at his best. Thara, Chitra Shenoy, CR Manohar are adequate to the roles.
V Sridhar has given two lovely songs. Chinnu Mari Muddu Mari……Yee Lokavella Guruvu….are rich in meaning. Director Dinesh Baboo has handled the cinematography gets full credit for very colourful shots.
Part I
Part II
Chamkaisi Chindi Udayisi
Chamkaisi Chindi Udayisi
Nobody expected that Komal Kumar's most ambitious film 'Chamkaisi Chindi Udaisi' would not only turn an average fare but a mindless comedy which has nothing new to offer.
'Chamkaisi Chindi Udaisi' is inspired from the English hit 'Something about Mary'. However Komal has added his own bits to give himself more mileage as a hero. Komal has fulfilled his long cherished dream of becoming a mass hero through this film. The story is about Seenu (Komal) who falls in love with a girl called Kamala. But he is disappointed when the girl leaves for Malaysia. Meanwhile, another person finances Seenu to fly over to Malaysia to collect details about a girl (once again the same Kamala!). Seenu traces Kamala in Malaysia and bluffs that he is an architect. Meanwhile, Ganesh also comes to Malaysia in search of Seenu and Kamala. By now Seenu is deeply in love with her. What happens next forms the crux of the film.
Though the film is a comedy, its major drawback is its script and narration. The film sure has its share of some enjoyable and fun filled moments, but the rest is boring as well as lagging. The film fails miserably in engaging the audience particularly in the second half. Even actors like Komal and Sharan couldn't save the film, thanks to an uninteresting script written by Komal himself.
It's a treat to watch Ashok Kashyap's camera work particularly in the songs. Other than the cinematography, the only thing likeable is Komal's acting. Komal carries the film entirely on his shoulders. Nidhi Subbaiah looks glamorous in songs. Sharan, Rahul, Asif Farooqi, Shobharaj, Kiran and others though have done their bit has nothing much to do to in front of Komal.
Overall, 'Chamkaisi Chindi Udaisi' is an average film. Watch it if you are a Komal fan.
Part I
Part II
Labels:
2009,
Kannada,
Komal Kumar,
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Sunday, May 2, 2010
Ede Tumbi Haaduvenu - Grand Final Part I - 2010
Part I
Thursday, April 22, 2010
Nanda - Shivarajakumar - movie online
Cast: Shivarajakumar
Music V. Manohar, Jayanth Kaikini
Lyrics V. Manohar
Director Anantharaju
Producer Maheen
Music On Ashwini
Release 2009
Music V. Manohar, Jayanth Kaikini
Lyrics V. Manohar
Director Anantharaju
Producer Maheen
Music On Ashwini
Release 2009
Part I
Part II
Labels:
Kannada,
Nanda,
Shivraj kumar,
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Saturday, April 17, 2010
Bandhu Balaga
Cast: Shivarajakumar, Poonam Kaur, Tejaswini, Shashikumar, Doddanna, Harish Raj, Hema Chaudhary, Honnavalli Krishna Satyajith, Dharma, Mandip Roy
Direction: Naganna
Production: Soorappa Babu, Kamalakar
Music: Hamsalekha
Once again banking on age old theme this film 'Bandhu Balaga' is targeted at family audience. The concept is very old and the making deserved to be better. The performances are very good the songs are placed at right time that has lot of meaning in it. The cinematography is not up to the mark and length of the film could have been pruned. Story writer Janardhana Maharshi has rehashed the Kannada film 'Odahuttidavaru' and cleverly got the nod of producers. When you look at the film at the outset a lot of changes could have been brought in to the film.
Subramanya (Shivarajakumar) the soft spoken darling of village people has a fond sister Annapurneshwari (Tejaswini). He wants the attendance of his brothers, sister in laws who are living in three different countries for the marriage of Annapurneshwari. The brothers in turn want a signature of Subramanya so that Rs.600 crore huge properties come to their custody. Subramanya born to the second wife of affluent Srinivasamurthy believes in good relations rather than money. To get the intimacy and courtesy he is forced to apply some breaks for his signature. The Indian made foreign brothers in the village torture Subramanya but the good deeds win. They all transform in better ways but the second wife of Srinivasamurthy – step mother of Subramanya and mother of three changed brothers take a drastic step.
Shivarajakumar hairstyle is not supporting his face. He has very few emotional scenes and in one place he stands without moving delivers dialogue looks shabby. The punching dialogues normally reserved for hero goes to actor Doddanna. Shashikumar, Dharma, Sumesh, Hema Chaudhary are good in their roles. Poonam Kaur in her first Kannada cinema is promising.
Hamsalekha has written two lovely songs and scored it melodiously. Ramesh Babu Cinematography should have been better. Director Naganna has to change his outlook in directing this kind of movie.
Direction: Naganna
Production: Soorappa Babu, Kamalakar
Music: Hamsalekha
Once again banking on age old theme this film 'Bandhu Balaga' is targeted at family audience. The concept is very old and the making deserved to be better. The performances are very good the songs are placed at right time that has lot of meaning in it. The cinematography is not up to the mark and length of the film could have been pruned. Story writer Janardhana Maharshi has rehashed the Kannada film 'Odahuttidavaru' and cleverly got the nod of producers. When you look at the film at the outset a lot of changes could have been brought in to the film.
Subramanya (Shivarajakumar) the soft spoken darling of village people has a fond sister Annapurneshwari (Tejaswini). He wants the attendance of his brothers, sister in laws who are living in three different countries for the marriage of Annapurneshwari. The brothers in turn want a signature of Subramanya so that Rs.600 crore huge properties come to their custody. Subramanya born to the second wife of affluent Srinivasamurthy believes in good relations rather than money. To get the intimacy and courtesy he is forced to apply some breaks for his signature. The Indian made foreign brothers in the village torture Subramanya but the good deeds win. They all transform in better ways but the second wife of Srinivasamurthy – step mother of Subramanya and mother of three changed brothers take a drastic step.
Shivarajakumar hairstyle is not supporting his face. He has very few emotional scenes and in one place he stands without moving delivers dialogue looks shabby. The punching dialogues normally reserved for hero goes to actor Doddanna. Shashikumar, Dharma, Sumesh, Hema Chaudhary are good in their roles. Poonam Kaur in her first Kannada cinema is promising.
Hamsalekha has written two lovely songs and scored it melodiously. Ramesh Babu Cinematography should have been better. Director Naganna has to change his outlook in directing this kind of movie.
Thursday, March 4, 2010
Birugaali
Cast: Chetan, Sitara Vaidya, Monisha
Director Harsha A
Producer Manoj Patil
Banner Adarsha Enterprises
Music Arjun
he story begins in the backdrop of a small town and this has Hachchi (Chetan) who is brought up as an orphan and believes in doing good to all those around him. Soon, he decides to give them a home to stay and for this, he comes to the city. Here, he joins as a collection guy for an underworld don. Soon, he falls in love with a girl in the city but what he is not aware is that the don's daughter Anju (Sithara) has fallen in love with him silently. As expected, things get more and more difficult for Hachchi due to his job as he loses some of his most trusted friends and he decides to quit the underworld once and for all. But how does that decision change his life? What does he do from there? all this forms the rest of the story.
Director Harsha A
Producer Manoj Patil
Banner Adarsha Enterprises
Music Arjun
he story begins in the backdrop of a small town and this has Hachchi (Chetan) who is brought up as an orphan and believes in doing good to all those around him. Soon, he decides to give them a home to stay and for this, he comes to the city. Here, he joins as a collection guy for an underworld don. Soon, he falls in love with a girl in the city but what he is not aware is that the don's daughter Anju (Sithara) has fallen in love with him silently. As expected, things get more and more difficult for Hachchi due to his job as he loses some of his most trusted friends and he decides to quit the underworld once and for all. But how does that decision change his life? What does he do from there? all this forms the rest of the story.
Labels:
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Chetan,
Kannada,
Monisha,
Sitara Vaidya,
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Saturday, February 27, 2010
Bombaat
Cast: Ganesh, Ramya
Direction: Rajendra Babu
Production: Rockline Venkatesh
Music: Mano Murthy
Direction: Rajendra Babu
Production: Rockline Venkatesh
Music: Mano Murthy
Labels:
Avinash,
Ganesh,
Kannada,
Ramya,
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Yuga
Cast: Vijay, Kavya, Sudha Belawadi, Mico Nagaraj, Mahadevu
Direction: Chandra
Music: Arjun
He is a ruffian. Robust in build! Ugly in looks! Terror to trouble shooters! He can put down tormentors who come from any direction. He can rise above the ground and use his two legs to hit at the prominent nerve at the neck. That is 'Yuga'. The orphan child grows in slum and streets make it a point to earn money. Money is everything for him. Morality is next to him. Because he has been treated shabbily in life.
Yuga (Vijay) with his group takes revenge on the prominent underworld don Pai in Mangalore. He did not expect the danger would be so strong for him. The police in an encounter to this killing by Yuga shoot him in the stomach. He escapes from there and in an isolated house he gets treatment. He is advised to stay there for ten days as the hunt to put him down is going on everywhere. Yuga does according to his master.
In his 10 days stay in the rural doctor house he knows what affection is and how important it is to life. He meets Harini (Kavya) who is suffering from severe bronchitis in this village. The bail application is ready for Yuga and he is forced to leave the village and surrender. Back after bail Yuga has real problems shooting up. The Pai gang from Mangalore hatches a plot. Around this time his mentor needs his help to win the election.
What happens to Yuga in the stiff opposition from Pai gang? You want to know it. Go and watch this action feast.
In his debut director Chandra has worked on the scenes not on the story. His screenplay is tight and appealing to the front benchers.
Dhuniya Vijay action scenes are splendid. His front and back somersaults and strength in action is the redeeming feature of this film. He has to improve in dialogue deliver and make an attempt to look decent. Kavya has no big deal in her debut. Sudha Belawadi's controlled emotion is as usual best.
The second notable aspect of this film is cinematography by Veenus Murthy. The angles he has chosen the action scenes he has captured deserves him applaud. Two songs are OK in 'Yuga'.
A film for action lovers 'Yuga' showcases actor Vijay's capacity in electrifying stunts.
Direction: Chandra
Music: Arjun
He is a ruffian. Robust in build! Ugly in looks! Terror to trouble shooters! He can put down tormentors who come from any direction. He can rise above the ground and use his two legs to hit at the prominent nerve at the neck. That is 'Yuga'. The orphan child grows in slum and streets make it a point to earn money. Money is everything for him. Morality is next to him. Because he has been treated shabbily in life.
Yuga (Vijay) with his group takes revenge on the prominent underworld don Pai in Mangalore. He did not expect the danger would be so strong for him. The police in an encounter to this killing by Yuga shoot him in the stomach. He escapes from there and in an isolated house he gets treatment. He is advised to stay there for ten days as the hunt to put him down is going on everywhere. Yuga does according to his master.
In his 10 days stay in the rural doctor house he knows what affection is and how important it is to life. He meets Harini (Kavya) who is suffering from severe bronchitis in this village. The bail application is ready for Yuga and he is forced to leave the village and surrender. Back after bail Yuga has real problems shooting up. The Pai gang from Mangalore hatches a plot. Around this time his mentor needs his help to win the election.
What happens to Yuga in the stiff opposition from Pai gang? You want to know it. Go and watch this action feast.
In his debut director Chandra has worked on the scenes not on the story. His screenplay is tight and appealing to the front benchers.
Dhuniya Vijay action scenes are splendid. His front and back somersaults and strength in action is the redeeming feature of this film. He has to improve in dialogue deliver and make an attempt to look decent. Kavya has no big deal in her debut. Sudha Belawadi's controlled emotion is as usual best.
The second notable aspect of this film is cinematography by Veenus Murthy. The angles he has chosen the action scenes he has captured deserves him applaud. Two songs are OK in 'Yuga'.
A film for action lovers 'Yuga' showcases actor Vijay's capacity in electrifying stunts.
Varsha
Cast: Vishnuvardhan, Manya, Ramesh Arvind, Anu Prabhakar, Doddanna, Sreenivasa Murthy, Shobharaj, Lakshman, Komal
Direction: S.Narayan
Production: Rockline Venkatesh
Music: S.A.Raj Kumar
Producer Rockline Venkatesh and Director S.Narayan had promised that their new venture "Varsha" will be a treat to watch for the Vishnuvardhan fans.
They have kept up their promise and the well made film will certainly prove to be a worth watcher for Vishnu's fans and his large following of the female audience who want to see him in emotional roles.
Director S.Narayan who has taken the additional responsibility of writing the lyrics and dialogues of the film has recreated the magic he had done previously in the four films he has worked with the Kannada Super Star.
The Vishnu and S.Narayan combination has delivered great results in the box office. The saga started with the hit film "Veerappa Naayaka" which had a patriotic flavor as the main focus. The mantra was followed in two silver jubilee hits- "Suryavamsha" and "Simhaadhriya Simha". Another hit film of this combination is "Jameendhaarru" in which Vishnu had acted in dual role "Varsha" does not belie the expectations it had raised before its release and will prove to be a continuous saga of a fruitful combination.
Thankfully "Varsha" has all the commercial ingredients in right proportion. All the sequences in the film with ingredients like emotions, comedy, action are quite touching and entertaining.
"Varsha" is the remake of Malayalam Hit "Hitler" which had Mammootty and Shobhana in the lead. Later Telugu Super Star Chiranjeevi acted in the film's Telugu remake to revive his then flagging career. The movie has been remade in Hindi and Tamil without success mainly due to bad casting and pedestrian narration. "Varsha" is the fifth version of the same story, but still manages to work well because of good production values, technical expertise and a neat performance by all the artists. S.Narayan makes some changes from the original, but it fits well with the present day trend of narration.
"Varsha" is as much a Narayan film as it is a Vishnuvardhan film. The casting for this film is perfect. The sisters look fresh on the screen, but they have played their parts to perfection. All of them are trained tele artists, except Anu Prabhakar who is an established heroine in the Kannada film industry. S.Narayan has presented his hero quite differently in this film. The hero of the film is presented not as just a short tempered human being but as a possessive and protective brother of five sisters and other two sisters born out of the wedlock of his father and his second wife. .
The film is a healthy mix of comedy, sentiment and action sequences. While Vishnuvardhan proves his mettle in emotional and action sequences, the comedy portion has worked out well because of talented artists like Ramesh, Komal, and Tennis Krishna. .
Vishnuvardhan comes out best in portraying the emotions in the film. The action sequences in the film will certainly please his fans. Multilingual actress Maanya has proved her merit as a tomboyish girl who is in love with Vishnuvardhan.
Ramesh and Komal make a good combination and the film will be a big boost to their careers. All other artists including Sreenivaasa Murthy, Anu Prabhakar, Shwetha Chengappa, Ramesh Bhat and Doddanna have given their best.
Music Director S.A.Raj Kumar has done well in composing melodious songs and his re recoding job for the film is excellent. Cameraman P.K.H.Doss and editor Soundar Rajan have once again proved their mettle. "Vasanthi Vasanthi", "Ikku Maga" and "Kanneerige Kanneereke"
Direction: S.Narayan
Production: Rockline Venkatesh
Music: S.A.Raj Kumar
Producer Rockline Venkatesh and Director S.Narayan had promised that their new venture "Varsha" will be a treat to watch for the Vishnuvardhan fans.
They have kept up their promise and the well made film will certainly prove to be a worth watcher for Vishnu's fans and his large following of the female audience who want to see him in emotional roles.
Director S.Narayan who has taken the additional responsibility of writing the lyrics and dialogues of the film has recreated the magic he had done previously in the four films he has worked with the Kannada Super Star.
The Vishnu and S.Narayan combination has delivered great results in the box office. The saga started with the hit film "Veerappa Naayaka" which had a patriotic flavor as the main focus. The mantra was followed in two silver jubilee hits- "Suryavamsha" and "Simhaadhriya Simha". Another hit film of this combination is "Jameendhaarru" in which Vishnu had acted in dual role "Varsha" does not belie the expectations it had raised before its release and will prove to be a continuous saga of a fruitful combination.
Thankfully "Varsha" has all the commercial ingredients in right proportion. All the sequences in the film with ingredients like emotions, comedy, action are quite touching and entertaining.
"Varsha" is the remake of Malayalam Hit "Hitler" which had Mammootty and Shobhana in the lead. Later Telugu Super Star Chiranjeevi acted in the film's Telugu remake to revive his then flagging career. The movie has been remade in Hindi and Tamil without success mainly due to bad casting and pedestrian narration. "Varsha" is the fifth version of the same story, but still manages to work well because of good production values, technical expertise and a neat performance by all the artists. S.Narayan makes some changes from the original, but it fits well with the present day trend of narration.
"Varsha" is as much a Narayan film as it is a Vishnuvardhan film. The casting for this film is perfect. The sisters look fresh on the screen, but they have played their parts to perfection. All of them are trained tele artists, except Anu Prabhakar who is an established heroine in the Kannada film industry. S.Narayan has presented his hero quite differently in this film. The hero of the film is presented not as just a short tempered human being but as a possessive and protective brother of five sisters and other two sisters born out of the wedlock of his father and his second wife. .
The film is a healthy mix of comedy, sentiment and action sequences. While Vishnuvardhan proves his mettle in emotional and action sequences, the comedy portion has worked out well because of talented artists like Ramesh, Komal, and Tennis Krishna. .
Vishnuvardhan comes out best in portraying the emotions in the film. The action sequences in the film will certainly please his fans. Multilingual actress Maanya has proved her merit as a tomboyish girl who is in love with Vishnuvardhan.
Ramesh and Komal make a good combination and the film will be a big boost to their careers. All other artists including Sreenivaasa Murthy, Anu Prabhakar, Shwetha Chengappa, Ramesh Bhat and Doddanna have given their best.
Music Director S.A.Raj Kumar has done well in composing melodious songs and his re recoding job for the film is excellent. Cameraman P.K.H.Doss and editor Soundar Rajan have once again proved their mettle. "Vasanthi Vasanthi", "Ikku Maga" and "Kanneerige Kanneereke"
Jolly Days
Banner: Young Dreams Production
Cast: Vishwas, Deepu, Pravin, Niranjan, Aishwarya Nag, Ruthwa, Spoorthi, Keerthi, Ruthika, Suchindra Prasad, Kishori Ballal, Sriraghav
Direction: MD Sridhar
Production: Madi Reddy Param
Music: Mickey J Mayoor
Director M.D. Sreedhar has a good track record of directing remakes and "Jolly Days" provides him another platform to prove that he remains faithful to the original script.
A remake of Telugu hit "Happy Days", the Kannada version stars a number of fresh faces. The original by director Shekhar Kammula, who also introduced new actors, became a sensational hit because of the novelty in presentation and the enjoyable doses of humour in the narration.
Sreedhar hasn't made any alterations to the script and has just followed the one laid down by Kammula. Even the dialogues written by B.A. Madhu seem like the direct translation from the dialogues of the Telugu original.
Sreedhar, who has directed successful remakes like "Friends", "Krishna" and "Chellaata" earlier, has proved again that he has perfected the art of making remakes. He has carefully chosen the actors to suit the physique and appearance of the artists of "Happy Days". Even the body language remains the same for all the characters. Except for the change of locations, it looks very much like the Telugu "Happy Days".
"Jolly Days" is an engaging film without a dull moment. It recreates the happy memories of one's college days. The sequences are written in such a way that you take a trip down memory lane. Music compositions are soothing and suit the narrative.
The film revolves around eight youngsters, who spend four years together in an engineering college. At times, the narration reminds one of Kannada film "Moggina Manasu", which had dealt with the problems of four young girls. But the high point of this film is that every sequence looks natural.
The newcomers have done well and have all chances of establishing themselves as good actors in future. Aishwarya Nag has done a better job here than in her previous film "Neene Neene".
Cameraman Krishna Kumar's work deserves praise and Micky J. Meyer's compositions are similar to the ones in the original.
"Jolly Days" is a jolly good film. Watch it and revive your memories of college days.
Cast: Vishwas, Deepu, Pravin, Niranjan, Aishwarya Nag, Ruthwa, Spoorthi, Keerthi, Ruthika, Suchindra Prasad, Kishori Ballal, Sriraghav
Direction: MD Sridhar
Production: Madi Reddy Param
Music: Mickey J Mayoor
Director M.D. Sreedhar has a good track record of directing remakes and "Jolly Days" provides him another platform to prove that he remains faithful to the original script.
A remake of Telugu hit "Happy Days", the Kannada version stars a number of fresh faces. The original by director Shekhar Kammula, who also introduced new actors, became a sensational hit because of the novelty in presentation and the enjoyable doses of humour in the narration.
Sreedhar hasn't made any alterations to the script and has just followed the one laid down by Kammula. Even the dialogues written by B.A. Madhu seem like the direct translation from the dialogues of the Telugu original.
Sreedhar, who has directed successful remakes like "Friends", "Krishna" and "Chellaata" earlier, has proved again that he has perfected the art of making remakes. He has carefully chosen the actors to suit the physique and appearance of the artists of "Happy Days". Even the body language remains the same for all the characters. Except for the change of locations, it looks very much like the Telugu "Happy Days".
"Jolly Days" is an engaging film without a dull moment. It recreates the happy memories of one's college days. The sequences are written in such a way that you take a trip down memory lane. Music compositions are soothing and suit the narrative.
The film revolves around eight youngsters, who spend four years together in an engineering college. At times, the narration reminds one of Kannada film "Moggina Manasu", which had dealt with the problems of four young girls. But the high point of this film is that every sequence looks natural.
The newcomers have done well and have all chances of establishing themselves as good actors in future. Aishwarya Nag has done a better job here than in her previous film "Neene Neene".
Cameraman Krishna Kumar's work deserves praise and Micky J. Meyer's compositions are similar to the ones in the original.
"Jolly Days" is a jolly good film. Watch it and revive your memories of college days.
3 Guttu Ondhu Sullu Ondhu Nija - Online Movie
Cast: Ramesh Aravind, Komal Kumar, Nancy Thakkar, Nandini, Sudha Belawadi, Sharan
Direction: Dinesh Baboo
Production: D Venkatesh Naidu, Rajeev K
Music: Suma Shastry
Intelligent director and fabulous cameraman Dinesh Baboo known for good thinking of subjects and hilarious style of presentation gives a passable film. The final punch that comes from Ramesh Aravind – a very good emotional performance is the touching portion of this film.
For the sagging box office results a craftsman like Dinesh Baboo excel because he makes the film in shoe string budget and not go beyond a limit. When such careful attempts are made the films would not suffer badly in the box office. ‘3 Guttu Ondhu Sullu and Ondhu Nija’ is a film in that category. Dinesh Baboo proved his mettle from ‘Mr Garagasa’ and now gaining ground with this tidy project.
In the family of father, mother a son and three daughters the ticklish moment starts surfacing when the parents go for a pilgrimage tour. The eldest of the family Siddhu and two of his sisters have plans to invite their girl and boy friends respectively. But the little one in the family is having the ailment of sleep walking. The entire film is set in 24 hours and from the evening the parents leave for pilgrimage tour sudden developments crops us. For the new entrants the three in the family keep tight secrecy. But the entry of aunty in the house and Appu (Ramesh Aravind) give more stressing moments for the hide and seek game plan of Siddu and his two sisters.
What is the purpose of Appu and whether he wins in his mission, the truth is unveiled the false is admitted and three secrets developments in the family are revealed? You have to watch it in the theatre for a very emotional journey from comedy angle in the beginning and middle of the film.
Ramesh Aravind with Mandya style of dialect wins over everyone for his presence and performance. The climax is extraordinary and it is performed so beautifully by Ramesh Aravind. Komalkumar known for side kicks has given absorbing moments. Ashalatha shouts a lot. Nancy Thakkar looks glamorous. Baby Shreya is too good.
The cinematography handled by director Dinesh Baboo is adequate and the entire house is showcased brilliantly. One song scored by Suma Shastry in her debut film is very catchy. LN Shastry has sung this song that is not the usual kind of song.
Direction: Dinesh Baboo
Production: D Venkatesh Naidu, Rajeev K
Music: Suma Shastry
Intelligent director and fabulous cameraman Dinesh Baboo known for good thinking of subjects and hilarious style of presentation gives a passable film. The final punch that comes from Ramesh Aravind – a very good emotional performance is the touching portion of this film.
For the sagging box office results a craftsman like Dinesh Baboo excel because he makes the film in shoe string budget and not go beyond a limit. When such careful attempts are made the films would not suffer badly in the box office. ‘3 Guttu Ondhu Sullu and Ondhu Nija’ is a film in that category. Dinesh Baboo proved his mettle from ‘Mr Garagasa’ and now gaining ground with this tidy project.
In the family of father, mother a son and three daughters the ticklish moment starts surfacing when the parents go for a pilgrimage tour. The eldest of the family Siddhu and two of his sisters have plans to invite their girl and boy friends respectively. But the little one in the family is having the ailment of sleep walking. The entire film is set in 24 hours and from the evening the parents leave for pilgrimage tour sudden developments crops us. For the new entrants the three in the family keep tight secrecy. But the entry of aunty in the house and Appu (Ramesh Aravind) give more stressing moments for the hide and seek game plan of Siddu and his two sisters.
What is the purpose of Appu and whether he wins in his mission, the truth is unveiled the false is admitted and three secrets developments in the family are revealed? You have to watch it in the theatre for a very emotional journey from comedy angle in the beginning and middle of the film.
Ramesh Aravind with Mandya style of dialect wins over everyone for his presence and performance. The climax is extraordinary and it is performed so beautifully by Ramesh Aravind. Komalkumar known for side kicks has given absorbing moments. Ashalatha shouts a lot. Nancy Thakkar looks glamorous. Baby Shreya is too good.
The cinematography handled by director Dinesh Baboo is adequate and the entire house is showcased brilliantly. One song scored by Suma Shastry in her debut film is very catchy. LN Shastry has sung this song that is not the usual kind of song.
Thursday, February 18, 2010
Sunday, February 7, 2010
Veera Madakari Online - Sudeep Kannada Online
Actor-director Sudeep's new film "Veera Madakari" is a remake of Telugu hit "Vikramarkudu" that was directed by Rajamouli, but the expectations were high as he is known for creating successful remakes.
Not only does Sudeep play two different roles, he also lends his voice to the the popular song "Jink Thaka". But he has not tried to be innovative while making this film.
Sudeep has in no way diluted the impact of the original script and has remained faithful to the Telugu movie.
The high points of "Veera Madakari" are the songs, the way they have been choreographed and Sudeep's performance in two diverse roles. But "Veera Madakari" has its share of negative points, the first being its three-hour length. Also, the first half has a few dragging moments that diminishes its appeal.
Sudeep's voice and body language are perfect for the role of a dynamic assistant commissioner of police, but he might have looked better if he had put on a little weight.
The film is almost a carbon copy of "Vikramarkudu". Even the choice of locations in the second half are the same. The songs too are the same Keervani composed for the Telugu movie.
While Sudeep could have experimented more as a director, he has done exceptional work as an actor.
In "Veera Madakari", Muththeththi Sathyaraju is a compulsive fraudster, but he is suddenly saddled with a child left behind by a rich lady. Circumstances force Sathyaraju to tell people that the child is his own, which leads to a miunderstanding with his lady love Neeraja.
Sathyaraju later comes to know that there is a police officer, Madakari, who happens to be his look-alike and is in hospital for treatment.
Babji is the main villain who uses his clout in politics and the underworld to terrorise villagers. Madakari takes on Babji, tries to check his illegal activities and even kills the villain's son.
There are some situations when Sathyaraju steps into Madakari's shoes and sets out to nab the evil guys.
Apart from Sudeep's performance, another plus point in the film is young Jerusha Christopher, who plays the small girl. Newcomer Raagini is impressive as a heroine. Gopinath and Soori, who play villains, don't do much except for shouting in the film.
Tennis Krishna, Dharma and Dinesh Gandhi have also done a good job.
"Veera Madakari" is an enjoyable film as long as you have not seen the Telugu original.
Part 1
Watch Veera Madakari1 in Action & Adventure | View More Free Videos Online at Veoh.com
Part 2
Watch Veera Madakari2 in Action & Adventure | View More Free Videos Online at Veoh.com
Not only does Sudeep play two different roles, he also lends his voice to the the popular song "Jink Thaka". But he has not tried to be innovative while making this film.
Sudeep has in no way diluted the impact of the original script and has remained faithful to the Telugu movie.
The high points of "Veera Madakari" are the songs, the way they have been choreographed and Sudeep's performance in two diverse roles. But "Veera Madakari" has its share of negative points, the first being its three-hour length. Also, the first half has a few dragging moments that diminishes its appeal.
Sudeep's voice and body language are perfect for the role of a dynamic assistant commissioner of police, but he might have looked better if he had put on a little weight.
The film is almost a carbon copy of "Vikramarkudu". Even the choice of locations in the second half are the same. The songs too are the same Keervani composed for the Telugu movie.
While Sudeep could have experimented more as a director, he has done exceptional work as an actor.
In "Veera Madakari", Muththeththi Sathyaraju is a compulsive fraudster, but he is suddenly saddled with a child left behind by a rich lady. Circumstances force Sathyaraju to tell people that the child is his own, which leads to a miunderstanding with his lady love Neeraja.
Sathyaraju later comes to know that there is a police officer, Madakari, who happens to be his look-alike and is in hospital for treatment.
Babji is the main villain who uses his clout in politics and the underworld to terrorise villagers. Madakari takes on Babji, tries to check his illegal activities and even kills the villain's son.
There are some situations when Sathyaraju steps into Madakari's shoes and sets out to nab the evil guys.
Apart from Sudeep's performance, another plus point in the film is young Jerusha Christopher, who plays the small girl. Newcomer Raagini is impressive as a heroine. Gopinath and Soori, who play villains, don't do much except for shouting in the film.
Tennis Krishna, Dharma and Dinesh Gandhi have also done a good job.
"Veera Madakari" is an enjoyable film as long as you have not seen the Telugu original.
Part 1
Watch Veera Madakari1 in Action & Adventure | View More Free Videos Online at Veoh.com
Part 2
Watch Veera Madakari2 in Action & Adventure | View More Free Videos Online at Veoh.com
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Sunday, January 24, 2010
Thursday, January 21, 2010
Mast Maja Maadi - Vijay Raghavendra, Diganth Hit Movie
Film: “Mast Maja Maadi”; Director: Anantha Raju; Cast: Sudeep, Jennifer, Vijaya Raghavendra, Diganth, Komal, Nag Kiran, Rangayaana Raghu and Umashree; Music: Balajee; Rating: ** “Mast Maja Maadi” is another remake that joins the long list of this year’s Kannada film releases. It is essentially a rehash of 2007 Hindi film “Dhamaal” made by director Indra Kumar.
Though “Dhamaal” was a senseless slapstick comedy, it was enjoyable because of its one liners and brilliant performances by the actors. Unfortunately in the Kannada version, the dialogues lack the much-needed punch and the narration is weakened by slipshod editing and pedestrian re-recording.
The film has many funny moments and the song picturised in Bangkok is really good. The sequences where the four protagonists, who were thick friends, quarrel with each other in their attempts to get the booty stand out.
Coming to the negative points, the performances of the artists in the film are uneven. Sudeep shows total disinterest in his role, while actors like Diganth and Nag Kiran don’t do a great job. Even seasoned artists like Sadhu Kokila, Rangayana Raghu fail to enliven the film.
The much-hyped special item song featuring Upendra and 12 heroines enthuses the audience in the beginning, but falls flat by the end because it is badly picturised.
“Mast Maja Maadi” is the story of four good-for-nothing, unemployed youngsters in search of treasure hidden in a place in Ooty’s Botanical Gardens. Apart from them, a cop is also eyeing the treasure. The youngsters’ attempts to get the treasure all to themselves and the hurdles they face in their mission form the crux of the story.
Vijaya Raghavendra and Komal have shown better comedy timing in the film and they act well. Surprisingly, a better performer like Sudeep looks too subdued and his disinterest in the movie becomes apparent in many sequences. Rangayana Raghu overacts and veteran comedy artists like Sadhu Kokila and Umashri have very little to do in the film.
The title song and the number “Chori Chori” are catchy, but music director Balaji should have been better in his re-recording work. M.R. Seenu’s camera work is ordinary.
“Mast Maja Maadi” has some enjoyable moments, but it could have been better handled better by the director.
Though “Dhamaal” was a senseless slapstick comedy, it was enjoyable because of its one liners and brilliant performances by the actors. Unfortunately in the Kannada version, the dialogues lack the much-needed punch and the narration is weakened by slipshod editing and pedestrian re-recording.
The film has many funny moments and the song picturised in Bangkok is really good. The sequences where the four protagonists, who were thick friends, quarrel with each other in their attempts to get the booty stand out.
Coming to the negative points, the performances of the artists in the film are uneven. Sudeep shows total disinterest in his role, while actors like Diganth and Nag Kiran don’t do a great job. Even seasoned artists like Sadhu Kokila, Rangayana Raghu fail to enliven the film.
The much-hyped special item song featuring Upendra and 12 heroines enthuses the audience in the beginning, but falls flat by the end because it is badly picturised.
“Mast Maja Maadi” is the story of four good-for-nothing, unemployed youngsters in search of treasure hidden in a place in Ooty’s Botanical Gardens. Apart from them, a cop is also eyeing the treasure. The youngsters’ attempts to get the treasure all to themselves and the hurdles they face in their mission form the crux of the story.
Vijaya Raghavendra and Komal have shown better comedy timing in the film and they act well. Surprisingly, a better performer like Sudeep looks too subdued and his disinterest in the movie becomes apparent in many sequences. Rangayana Raghu overacts and veteran comedy artists like Sadhu Kokila and Umashri have very little to do in the film.
The title song and the number “Chori Chori” are catchy, but music director Balaji should have been better in his re-recording work. M.R. Seenu’s camera work is ordinary.
“Mast Maja Maadi” has some enjoyable moments, but it could have been better handled better by the director.
Sunday, January 10, 2010
Gandu Berunda
Movie : Ganda Berunda
Year : 1984
Banner : Anjanadri Pictures
Cast : Ambarish, Lakshmi, Vajramuni, Jayamala, Shankar Nag, Srinath
Music : Satyam
Direction : S.V.Rajendrasingh Babu
Producer : H.N.Muddukrishna
Year : 1984
Banner : Anjanadri Pictures
Cast : Ambarish, Lakshmi, Vajramuni, Jayamala, Shankar Nag, Srinath
Music : Satyam
Direction : S.V.Rajendrasingh Babu
Producer : H.N.Muddukrishna
Friday, January 8, 2010
Jaggesh New Movie - Eddelu Manjunatha - 2009
Review Eddelu Manjunatha is the comedy movie, in which Jaggesh is playing the lazy bone role opposite to Yagna who plays house wife role. The film with unique concept by ‘Mata’ Kannada film director Guruprasad ‘Eddelu Manjunatha’ audio cassettes and CD was released by film journalist friends of journalist tuned producer Sanath Kumar on a chilly drizzling Wednesday night at Press Club of Bangalore. Anoop Seelin has scored music for four regular songs and one bit in the film and all the songs are different from one another. Speaking on this occasion journalist turned producer Sanath Kumar said there has been lot of pressure and pain to shape up this film. The corporate support, director Guruprasad hell bent thinking, Anoop Seelin lovely scorings, two hours first class entertainment contents, Jaggesh turning out to be back bone for the film eased his tension and put him in the comfort zone. Gleeful on the audio releasing evening with lot of innovative ideas director Guruprasad said this film is produced in a long stretch of time from hard earned money and not from real estate business. Jaggesh in to elections in the last Assembly took so much of time in churning out this ‘Eddelu Manjunatha’ said Guruprasad. Yet with struggle and keen approach to a good film we have completed the shoot and it is hitting the screen in the last week of December he said. Anoop Seelin a big hater of Mumbai singers has invited only Kannada singer for this album. B.K.Sumithra the yesteryears singer is back again in the title song of the film and M.D.Pallavi the state award singer has rendered a top class western style song Prapachanve Devaru Madiro Baaru….. Jaggesh who is playing the lazy bone, freeloader role the 25th year film in his career of 100 plus films urged the media to support this film ‘Eddelu Manjunatha’ because social stigma is very beautifully attacked by the director Guruprasad. It is a real different film of his career said Jaggesh.
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